SEPTEMBER 2023
This journal explores the fusion of early 20th-century innovations in protective driving wear with the extravagant, highly embellished costumes of the Ballet Russes, a cultural sensation of the time. The collection juxtaposes the functional, utilitarian design of driving coats and hats—once considered essential for early motorists—with the opulent, ornate style of Ballet Russes attire. By merging the technical simplicity of driving apparel with the intricate embellishments and dramatic flair of ballet costumes, this concept creates a compelling and unexpected blend of practicality and artistry, offering a fresh perspective on both fashion history and performance design.







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NOVEMBER 2023
This journal, inspired by the 1940s mindset of "Make Do and Mend," delves into early concepts of sustainability and androgyny in fashion. The impact of World War II on America led to a culture of resourcefulness, where scarcity forced people to reuse, repurpose, and repair their clothing. Men’s garments and fabrics were often adapted into womenswear, and practical solutions such as mending holes in tights or painting them onto the skin became necessary. This journal also examines the crucial role women played on the Homefront during the war, as they stepped into the work world to support the war effort. Interpreting this as an introduction to androgynous fashion, this journal takes women’s clothing and incorporates elements traditionally associated with menswear. By blending resourcefulness with emerging ideas of gender expression, this journal highlights the intersection of wartime realities, sustainability, and evolving notions of femininity and masculinity.







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MARCH 2024
This journal accompanies my illustration collection: "Feminine Dissonance". It's an exploration of my self and my relationship with gender as a woman, from childhood to the present day. Through this work, I reflect on my evolving relationship with femininity, masculinity, and self-expression as a woman. I used fabric manipulation as a metaphor for insecurities and struggles related to body image to address the societal pressures surrounding women's beauty standards. Incorporating elements of menswear throughout the collection allows me to examine the fluidity between femininity and masculinity and how these concepts have shaped my understanding of myself over time. The use of these contrasting elements reflects the tension I have felt between conforming to traditional gender expectations and asserting my own sense of identity. Through this blend of personal narrative and artistic expression, "Feminine Dissonance" explores how the interactions of gender, self-perception, and societal expectations has shaped both my inner world and outward presentation.











